Leaf through discolored manuscripts,
make sure no words
lie thirsting, bleeding
waiting for rescue. No:
old loves half-
articulated, moments forced
out of the stream of perception
to play 'statue',
and never released-
they had no blood to shed.
you must seek the ashy nest itself
if you hope to find
charred feather, smouldering flightbones,
and a twist of singing flame
~ Denise Levertov, Breathing the Water 1987
David C. Hamilton
Jungian Analyst, IAAP
Tuesday, Thursday, Friday
The Chace Mill
I Mill Street, Suite 160
36 Main Street
(above The Vermont Bookshop)
Middlebury, Vermont 05753
Before publication in 2009, C. G. Jung's The Red Book was considered to be the most influential unpublishedwork in the history of psychology.
When Jung embarked on an extended self-exploration which he later called his "Confrontation with the Unconscious" he kept a record of his experience in his personal journal entitled, The Red Book; a large, illuminated volume which he created through writing and painting between 1914 and 1930. It was here that he developed his principle theories – of the archetypes, the collective unconscious, and the principle and process of individuation – that would transform psychotherapy from a practice concerned with treatment of the sick into a means for higher development of the personality.
While Jung considered The Red Book to be his most important work, only a handful of people had ever seen it. Now, in a complete facsimile and translation, it is available to scholars and the general public. It is an astonishing example of calligraphy and art on a par with The Book of Kells and the illuminated manuscripts of William Blake. This publication of The Red Book is a watershed moment that will cast new light on the making of modern psychology.
The process of digitally capturing the book was undertaken by DigitalFusion.com. They are also responsible for this short documentary film chronicling the process and offering the public its first glimpse of the the original manuscript.
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